Up to -29%

NEW

Up to -29%

NEW

WINSOR & NEWTON™ | Artists' OIL COLOUR™ — individual tubes

4 Review(s)

This range offers a wide and balanced spectrum of colours. Made using only the purest pigments resulting in very clean, bright colours that deliver optimum colour mixing. Available in 2 sizes. More

~~RRP £ 10.15~~
from £ 7.55

incl. VAT | Delivery Information.

Add to basket

These items may also interest you

Up to -28%

WINSOR & NEWTON™ | Liquin™ original — oil colour medium

from £ 6.60

-23%

WINSOR & NEWTON™ | Professional™ Varnish — 400 ml

£ 14.10 ~~£ 18.25~~

40 variants

Gerstaecker | Classico 2 Linen Canvases — 450 gsm

from £ 6.78

-20%

NEW

76 variants

GERSTAECKER | Studio XL Stretched Block Canvases — 380 gsm

from £ 3.54 ~~£ 4.42~~

Gerstaecker | Quick-Drying Medium — for oil

from £ 11.65

I LOVE ART | Flat Bristle Oil Brushes — individual

from £ 1.70

Click on the color to see more:

Up to -29%

674

Series 1

Underpainting White

Up to -29%

748

Series 1

Zinc White

Up to -29%

644

Series 1

Titanium White

Up to -29%

242

Series 1

Flake White Hue

Up to -29%

330

Series 1

Iridescent White

-27%

347

Series 4

Lemon Yellow Hue

Up to -29%

722

Series 2

Winsor Lemon

-27%

086

Series 4

Cadmium Lemon

-27%

898

Series 4

Cadmium-Free Lemon

-27%

025

Series 4

Bismuth Yellow

-26%

294

Series 2

Green Gold

-27%

653

Series 4

Transparent Yellow

Up to -29%

730

Series 2

Winsor Yellow

-26%

149

Series 1

Chrome Yellow Hue

-27%

118

Series 4

Cadmium Yellow Pale

Up to -29%

907

Series 4

Cadmium-Free Yellow Light

-26%

320

Series 2

Indian Yellow Deep

Up to -29%

319

Series 2

Indian Yellow

-26%

731

Series 2

Winsor Yellow Deep

-27%

108

Series 4

Cadmium Yellow

Up to -29%

890

Series 4

Cadmium-Free Yellow

-26%

425

Series 2

Naples Yellow Deep

Up to -29%

426

Series 1

Naples Yellow Light

Up to -29%

422

Series 1

Naples Yellow

-26%

333

Series 1

Jaune Brilliant

-27%

111

Series 4

Cadmium Yellow Deep

-27%

891

Series 4

Cadmium-Free Yellow Deep

-27%

089

Series 4

Cadmium Orange

Up to -29%

899

Series 4

Cadmium-Free Orange

-26%

416

Series 2

Orange Laque Mineral

-27%

650

Series 4

Transparent Orange

-26%

647

Series 1

Transparent Red Ochre

-26%

724

Series 2

Winsor Orange

-26%

362

Series 1

Light Red

-27%

097

Series 4

Cadmium Red Deep

-27%

895

Series 4

Cadmium-Free Red Deep

-26%

411

Series 3

Ruby Madder Alizarin

-27%

106

Series 4

Cadmium Scarlet

-27%

903

Series 4

Cadmium-Free Scarlet

-27%

094

Series 4

Cadmium Red

Up to -29%

901

Series 4

Cadmium-Free Red

-26%

603

Series 2

Scarlet Lake

Up to -29%

042

Series 1

Bright Red

-26%

726

Series 2

Winsor Red

-26%

725

Series 2

Winsor Red Deep

-26%

257

Series 2

Pale Rose Blush

-26%

576

Series 5

Rose Dore

Up to -29%

004

Series 2

Alzarin Crimson

Up to -29%

468

Series 4

Permanent Alzarin Crimson

-27%

548

Series 4

Quinacridone Red

-26%

479

Series 2

Permanent Carmine

-26%

587

Series 5

Rose Madder Genuine

Up to -29%

502

Series 2

Permanent Rose

-26%

543

Series 2

Purple Madder

-26%

544

Series 1

Purple Lake

Up to -29%

545

Series 2

Quinacridone Magenta

-26%

489

Series 2

Permanent Magenta

Up to -29%

380

Series 2

Magenta

-26%

669

Series 3

Ultramarine Pink

-27%

491

Series 4

Permanent Mauve

-26%

192

Series 5

Cobalt Violet

-26%

733

Series 2

Winsor Violet (Dioxazine)

-26%

672

Series 2

Ultramarine Violet

-26%

400

Series 1

Mauve Blue Shade

-27%

321

Series 4

Indanthrene Blue

-26%

710

Series 2

Smalt (Dumont's Blue)

-26%

706

Series 2

Winsor Blue (Red Shade)

-26%

707

Series 2

Winsor Blue (Green Shade)

Up to -29%

538

Series 1

Prussian Blue

-26%

414

Series 2

Oriental Blue

-26%

180

Series 5

Cobalt Blue Deep

-26%

667

Series 1

Ultramarine (Green Shade)

Up to -29%

263

Series 2

French Ultramarine

Up to -29%

178

Series 4

Cobalt Blue

-27%

137

Series 4

Cerulean Blue

Up to -29%

379

Series 1

Manganese Blue Hue

-27%

191

Series 4

Cobalt Turquoise Light

Up to -29%

526

Series 1

Phthalo Turquoise

Up to -29%

322

Series 2

Indigo

-26%

190

Series 5

Cobalt Turquoise

-26%

147

Series 1

Chrome Green Deep Hue

-26%

412

Series 3

Mineral Green Deep

-26%

720

Series 2

Winsor Green (Phthalo)

-26%

721

Series 2

Winsor Green (Yellow Shade)

-26%

708

Series 2

Winsor Emerald

-26%

481

Series 2

Permanent Green

-26%

483

Series 2

Permanent Green Light

-26%

482

Series 2

Permanent Green Deep

-26%

184

Series 5

Cobalt Green

NEW

696

Series 2

Viridian hue

-27%

084

Series 4

Cadmium Green Pale

-27%

897

Series 4

Cadmium-Free Green Pale

Up to -29%

599

Series 2

Sap Green

-26%

540

Series 2

Prussian Green

-27%

183

Series 4

Cobalt Chromite Green

-26%

637

Series 1

Terre Verte

-27%

459

Series 4

Oxide of Chromium

Up to -29%

447

Series 2

Olive Green

-26%

558

Series 1

Raw Umber (Green Shade)

Up to -29%

554

Series 1

Raw Umber

Up to -29%

676

Series 1

Vandyke Brown

Up to -29%

076

Series 1

Burnt Umber

-26%

395

Series 2

Mars Violet Deep

-26%

413

Series 2

Warm Brown Pink

Up to -29%

074

Series 1

Burnt Sienna

-26%

657

Series 2

Transparent Maroon

-26%

317

Series 2

Indian Red

-26%

678

Series 1

Venetian Red

Up to -29%

635

Series 1

Terra Rosa

-26%

648

Series 1

Transparent Brown Oxide

-26%

056

Series 1

Brown Madder

-26%

285

Series 1

Gold Ochre

-26%

646

Series 2

Transparent Gold Ochre

Up to -29%

552

Series 1

Raw Sienna

Up to -29%

744

Series 1

Yellow Ochre

-26%

059

Series 1

Brown Ochre

-26%

745

Series 1

Yellow Ochre Light

Up to -29%

746

Series 1

Yellow Ochre Pale

-26%

557

Series 1

Raw Umber Light

-26%

217

Series 2

Davy's Grey

Up to -29%

465

Series 1

Payne's Grey

-26%

505

Series 1

Perylene Black

Up to -29%

331

Series 1

Ivory Black

Up to -29%

386

Series 2

Mars Black

-26%

142

Series 1

Charcoal Grey

Up to -29%

337

Series 1

Lamp Black

-26%

034

Series 1

Blue Black

-26%

511

Series 2

Pewter

Up to -29%

617

Series 2

Silver

Up to -29%

283

Series 2

Gold

-26%

573

Series 2

Renaissance Gold

-26%

058

Series 2

Bronze

-26%

214

Series 2

Copper

Key to symbols

semi-opaque opaque

opaque

transparent semi-transparent

semi-transparent excellent lightfastness

excellent lightfastness maximum lightfastness

maximum lightfastness maximum lightfastness ASTM I

maximum lightfastness ASTM I good lightfastness

good lightfastness very good lightfastness ASTM II

very good lightfastness ASTM II bleached by acids, acidic atmospheres

bleached by acids, acidic atmospheres Series Price series

Best described as rich, this classic oil colour has a full and buttery consistency. Because WINSOR & NEWTON™ Artists' OIL COLOUR™ is slightly stiffer, it retains the characteristic touch of your brush and palette knife.

The wide and well-balanced range includes some 125 bright and pure colours rubbed in linseed and safflower oil, which mix well with each other. Only the best pigments are used, in a high concentration: a little goes a long way! Even when mixed with white, the tinting strength remains. Except for alizarin crimson, all colours have the highest lightfastness.

The longer drying time is typical of oil paints: this gives you plenty of time to build up your work, make changes and achieve typical effects. Drying times also vary by colour. Some pigments absorb less oil and dry faster, others absorb more oil and dry more slowly. Apart from this, some pigments have an inherent drying accelerating effect, while others have a drying retarding effect. After the diluent has evaporated, oil colours dry by oxidation: the oil changes its chemical structure through contact with oxygen. This process is accelerated by lower humidity, higher temperature and air circulation, and exposure to daylight. High humidity or lack of daylight is fatal for good thorough-drying!

All WINSOR & NEWTON™ Artists' OIL COLOURS™ feel touch-dry after 2-12 days. You can slow down or speed up the drying time by using mediums. After about 6 - 12 months, your painting will be sufficiently dry to varnish it. An oil painting can take decades to dry thoroughly!

Below are some examples of the drying time of WINSOR & NEWTON™ Artists' OIL COLOURS™ .

Short drying time, approx. 2 days:

491 Permanent mauve ○ 178 Cobalt blue ○ 180 Cobalt blue deep ○ 538 Prussian blue ○ 552 Raw sienna ○ 554 Raw umber ○ 557 Raw umber light ○ 558 Raw umber (green shade) ○ 076 Burnt umber ○ 242 Flake white (hue) ○ 674 Underpainting white

Medium drying time, approx. 5 days:

706 Winsor blue (red shade) ○ 707 Winsor blue (green shade) ○ 720 Winsor green ○ 721 Winsor green (yellow shade) ○ 074 Burnt sienna ○ 192 Cobalt violet ○ 184 Cobalt green ○ 667 Ultramarine (green shade) ○ 263 French ultramarine ○ 599 Sap green ○ 468 Permanent alizarin crimson ○ 285 Gold ochre ○ 646 Transparent gold ochre ○ 744 Yellow ochre ○ 059 Brown ochre ○ 745 Yellow ochre light ○ 746 Yellow ochre pale ○ 086 Cadmium lemon ○ 118 Cadmium yellow pale ○ 108 Cadmium yellow ○ 111 Cadmium yellow deep ○ 089 Cadmium orange ○ 097 Cadmium red deep ○ 106 Cadmium scarlet ○ 094 Cadmium red ○ 644 Titanium white ○ 748 Zinc white ○ 337 Lamp black ○ 331 Ivory black

Long drying time, more than 5 days:

730 Winsor yellow ○ 548 Quinacridone red ○ 545 Quinacridone magenta ○ 004 Alizarin crimson

What is the best white to use? With the exception of Underpainting white, which is rubbed in linseed oil, all WINSOR & NEWTON™ whites are rubbed in safflower oil. Safflower oil is lighter in colour and less prone to yellowing than linseed oil. However, it dries more slowly and 'works' more during drying. Therefore, do not use safflower oil in underpainting. However, for normal applications or as a mixing white, a white based on safflower oil is perfect.

No 2 whites are the same!

674 Underpainting white is a mix of titanium and zinc white. It dries quickly and is perfect for underpainting.
748 Zinc white is the subtlest and most transparent white. Cool, tending towards blue. An excellent mixing white, suitable for tints and glazing layers.
644 Titanium white is the most widely used, most modern and opaque white. A hard white that quickly dominates in blends and tends to make colours chalky.
242 Flake white hue is a modern approach to the classic lead white. Good mixing white, more subtle than titanium white, warmer than zinc white.
330 Iridescent white is a mica-based pearlescent white. TIP! — You get the best results if you mix it with transparent colours!

Price per tube.